Last update:
Mon Feb 16 11:05:53 MST 2004
Chuck Ander Music If Music Be the Food of
Love--Modem on . . . . . . . . . . . . . 18
Gary Shilling Pushing PC Performance . . . . . . . . . 26
Charlie Reis The Resolution Revolution . . . . . . . 34
Peter Dako A Family Affair: Fontographer, The Art
Importer, Family Builder . . . . . . . . 44
Gary Shilling Arts and Letters Graphics Editor . . . . 48
Sherwood Fleming Do Re Midi . . . . . . . . . . . . . . . 12
Peter Dako Mr. Music Please . . . . . . . . . . . . 15
Chuck Ander Public Domain PC Publishing . . . . . . 38
Chuck Ander More Boards . . . . . . . . . . . . . . 41
Chris Dickman Communications Comes to Windows . . . . 43
Patricia Trusty Beta Site . . . . . . . . . . . . . . . 49
Thad McIlroy The Service Bureau's Changing Role . . . 64
Gillian Mothersill Service Bureau Fundamentals . . . . . . 78
Gregory Wasson Spanning the Spectrum . . . . . . . . . 26
Anonymous Color Comes to the PC . . . . . . . . . 32
Chris Dickman Using Color in CorelDraw . . . . . . . . 36
Jeff Evans Electronic Prepress on the Amiga . . . . 42
Charles Reis Choosing the Right Color Printer . . . . 48
Tom Graff Great Moments of Computers in the Design
Studio . . . . . . . . . . . . . . . . . 54
Charlie Reis Not All Scanners are Created Equal . . . 36
Steve Roth Getting the Best Scan . . . . . . . . . 40
Gary Shilling Goodbye Jaggies . . . . . . . . . . . . 44
Michael Kieran Designer 3 Ups the Ante . . . . . . . . 49
Chris Dickman The Amiga Grows Up . . . . . . . . . . . 55
Steve Sauve Music on the Atari . . . . . . . . . . . 58
G. Bingham and
A. Stephen Four Steps to a Better Scan . . . . . . 20
Chris Dickman and
Dezso Nagy Retrofitting PostScript . . . . . . . . 26
David Bosworth Trainers on Training . . . . . . . . . . 32
Margo Rowley The Zen of Color . . . . . . . . . . . . 38
Peter Dako Digital Darkroom 2.0 . . . . . . . . . . 42
Anonymous The EC and I Annual Training Firm
Directory . . . . . . . . . . . . . . . 54
Margo Rowley Planning for Volume Scanning . . . . . . 26
Courtland Shakespeare Creating an EC and I Cover . . . . . . . 30
Chris Dickman and
Sherwood Fleming Tales of Book Production . . . . . . . . 32
Michael Kieran High Performance Imaging . . . . . . . . 6
David Dean Multiplying Your Typographic
Possibilities Adobe Systems' Multiple
Master font format . . . . . . . . . . . 8
Courtland Shakespeare Color Shading . . . . . . . . . . . . . 8
Stephen Schettini Battling File Formats Featuring the
mysteries of WFN BOSS . . . . . . . . . 12
Bob Weibel Back to Basic . . . . . . . . . . . . . 12
Steve Shubitz The PostScript Dilemma . . . . . . . . . 14
William Buckingham Xtending Yourself . . . . . . . . . . . 16
Steve Shubitz Double Your Pleasure, Double Your Files
Two hard disk management strategies . . 18
David Dean Font Comparisons . . . . . . . . . . . . 20
Peter Dako Aldus Adds Up . . . . . . . . . . . . . 22
Michael Kieran EFI Stakes Out Color Portability A small
company with colorful ambitions . . . . 22
Michael Kieran Software Plug-Ins . . . . . . . . . . . 26
Anonymous The EC and I Interview: Dr. Gerald Murch 28
Allen Haley All Caps: A Typographic Oxymoron: Why
you should never use all capital letters 28
Maggie Lovaas and
Felix Kramer Some practical observations on backup 30
SCOTT Olson The EC and I Interview: Two Opposing
Views of Scanners . . . . . . . . . . . 32
Peter Dako Plenty of type, yours for the online
asking . . . . . . . . . . . . . . . . . 34
Michael Kieran Powerful image editing comes to Windows 36
Scott Olson Paul Sych: a Type Designer at Work . . . 36
Scott Olson Timing is Everything . . . . . . . . . . 38
PETER Dako Cowboy in a Can . . . . . . . . . . . . 42
Mark McGuire Games are Serious Business . . . . . . . 42
Lee Sherman Adobe Illustrator on the NeXT Computer 42
Steve Rimmer Corel Returns Fire . . . . . . . . . . . 46
Courtland Shakespeare Re-creating From Other Sources Importing
vector art reference materials . . . . . 49
Stephen Schettini Nightmare on Font Street . . . . . . . . 50
Anonymous Special Feature: Coreldraw World Design
Contest Winners . . . . . . . . . . . . 52
Chris Dickman The President and CEO of Storm
Technology discusses file compression
issues . . . . . . . . . . . . . . . . . 52
Daniel Will-Harris Good Things Come from Small Foundries 54
Daniel Will-Harris Zippity Do Data Alleviating the full
hard disk blues . . . . . . . . . . . . 54
Paul Chato Spinning Into Oblivion Electrons dancing
on your read-write heads . . . . . . . . 57
Peter Dako Scan by Me . . . . . . . . . . . . . . . 58
Steve Roth Fred's got the FAX . . . . . . . . . . . 78
Steve Shubitz Nine is a Lucky Number: Applications for
the PostScript Printer . . . . . . . . . 8
Daniel Will-Harris Creating a Corporate Identity . . . . . 12
David Dean A New Medium for PC Fonts: CD-ROM's Time
has Come . . . . . . . . . . . . . . . . 14
EC and
I Staff The Fourth Annual EC and I Service
Bureau Directory, Part I . . . . . . . . 20
Gary Shilling The EC and I Interview: Paul Brainerd 38
Stephen Schettini File Import and Output Problems Solved 42
Steve Roth Imaginary Media: Fred Says to Stop
Chasing Rainbows . . . . . . . . . . . . 54
Anonymous Do you know printing? . . . . . . . . . 6
Courtland Shakespeare Use the Force, Luke . . . . . . . . . . 8
David Dean Who Needs Service Bureaus? . . . . . . . 12
Steve Shubitz Xpress Yourself! . . . . . . . . . . . . 18
Steve Rimmer CorelDraw and PostScript . . . . . . . . 22
Scott Olson The Virtual Printer . . . . . . . . . . 26
Anonymous Paper Knowledge . . . . . . . . . . . . 28
Anonymous Finding new shoals after a smooth sail 30
Daniel Will-Harris Designers and Clients . . . . . . . . . 32
Stephen Schettini Correcting the Error Messages . . . . . 36
Anonymous Productivity from front-end to back-end 42
Steve Roth Debunking Kodak's Starry-eyed Vision for
Photo CD . . . . . . . . . . . . . . . . 54
Courtland Shakespeare VR Gets Real . . . . . . . . . . . . . . 8
Steve Shubitz Fast is Never Fast Enough . . . . . . . 12
Stephen Schettini Service Bureaus: Windows is Here to Stay 16
JULIAN Mills Survival of the Film House . . . . . . . 20
Maureen Stewart Digital Photography: What You Need to
Know . . . . . . . . . . . . . . . . . . 24
Scott Olson The EC and I Interview: Alec Couckuyt 30
David Dean Windows Font Management . . . . . . . . 32
Daniel Will-Harris Less Perfect Type . . . . . . . . . . . 36
Steve Roth Fred Looks to the Future . . . . . . . . 46
Anonymous Out My Window---Why Color? . . . . . . . 6
Courtland Shakespeare The Electronic Look . . . . . . . . . . 8
Stephen Schettini How to Work With High-Quality Color On
the PC . . . . . . . . . . . . . . . . . 14
David Dean Special Effects Font Software . . . . . 16
Steve Shubitz The Missing Link . . . . . . . . . . . . 18
Thad Mcilroy Has Desktop Color Finally Caught the
High End? . . . . . . . . . . . . . . . 22
Daniel Will-Harris Bad Reviews, Lazy Users . . . . . . . . 32
Stephen Schettini Seybold Boston 1993 . . . . . . . . . . 33
Anonymous Welcome to Desktop --- Some triumphs and
some tragedies . . . . . . . . . . . . . 36
Anonymous New Toys --- The latest hardware and
software . . . . . . . . . . . . . . . . 38
Steve Roth Fred Goes Editorial . . . . . . . . . . 46
John Stewart Color Scanning: Why You Need to Know
Densitometry . . . . . . . . . . . . . . 24
Scott Olson A Strategy for Success . . . . . . . . . 26
Stephen Schettini Boost Your Performance . . . . . . . . . 30
Anonymous Environmental Awareness . . . . . . . . 6
Anonymous The Top-Prize Winners: The Canadian
Computer Graphics Association's Annual
Computer Graphics Awards . . . . . . . . 10
Courtland Shakespeare Bridge to Boiler Room: There's still a
lot of engineering below the decks of
electronic creativity . . . . . . . . . 12
David Dean Sending It Out . . . . . . . . . . . . . 16
Anonymous How we did it . . . . . . . . . . . . . 18
Stephen Schettini Corel Coreldraw! 4.0: All the bugs,
quirks, strengths and weakness of this
major program upgrade . . . . . . . . . 20
Stephen Schettni Corel Coreldraw! 4.0: All the bugs,
quirks, strengths and weakness of this
major program upgrade . . . . . . . . . 20
Scott Olson High-Speed, High-Volume Laser Printers:
The Last Step. Don't forget this
important output option . . . . . . . . 24
David Rosen Adobe Acrobat: The Next Step in Imaging:
Acrobat, designed to share formatted
pages over networks, telephone lines and
between platforms, has been getting a
lot of attention. But how does it work?
How can users benefit? EC and I takes a
close look . . . . . . . . . . . . . . . 28
Steve Shubitz Type Tips and Tricks With the Big 6 . . 30
Daniel Will-Harris Digital Documents . . . . . . . . . . . 34
Anonymous What the ultimate graphics show season
brought us . . . . . . . . . . . . . . . 44
Steve Roth Features War . . . . . . . . . . . . . . 46