Table of contents for issues of Electronic Composition and Imaging

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Volume 4, Number ??, May, 1990
Volume 4, Number 1, March, 1990
Volume 4, Number 3, June, 1990
Volume 4, Number 4, September, 1990
Volume 5, Number 3, May, 1991
Volume 5, Number 5, September, 1991
Volume 6, Number ??, June, 1992
Volume 7, Number 1, January, 1993
Volume 7, Number 2, March, 1993
Volume 7, Number 3, May, 1993
Volume 7, Number 4, July, 1993
Volume 7, Number 5, September, 1993
Volume 7, Number 6, November, 1993


Electronic Composition and Imaging
Volume 4, Number ??, May, 1990

                    Chuck Ander   Music If Music Be the Food of
                                  Love--Modem on . . . . . . . . . . . . . 18
                  Gary Shilling   Pushing PC Performance . . . . . . . . . 26
                   Charlie Reis   The Resolution Revolution  . . . . . . . 34
                     Peter Dako   A Family Affair: Fontographer, The Art
                                  Importer, Family Builder . . . . . . . . 44
                  Gary Shilling   Arts and Letters Graphics Editor . . . . 48

Electronic Composition and Imaging
Volume 4, Number 1, March, 1990

               Sherwood Fleming   Do Re Midi . . . . . . . . . . . . . . . 12
                     Peter Dako   Mr. Music Please . . . . . . . . . . . . 15
                    Chuck Ander   Public Domain PC Publishing  . . . . . . 38
                    Chuck Ander   More Boards  . . . . . . . . . . . . . . 41
                  Chris Dickman   Communications Comes to Windows  . . . . 43
                Patricia Trusty   Beta Site  . . . . . . . . . . . . . . . 49
                   Thad McIlroy   The Service Bureau's Changing Role . . . 64
             Gillian Mothersill   Service Bureau Fundamentals  . . . . . . 78

Electronic Composition and Imaging
Volume 4, Number 3, June, 1990

                 Gregory Wasson   Spanning the Spectrum  . . . . . . . . . 26
                      Anonymous   Color Comes to the PC  . . . . . . . . . 32
                  Chris Dickman   Using Color in CorelDraw . . . . . . . . 36
                     Jeff Evans   Electronic Prepress on the Amiga . . . . 42
                   Charles Reis   Choosing the Right Color Printer . . . . 48
                      Tom Graff   Great Moments of Computers in the Design
                                  Studio . . . . . . . . . . . . . . . . . 54

Electronic Composition and Imaging
Volume 4, Number 4, September, 1990

                   Charlie Reis   Not All Scanners are Created Equal . . . 36
                     Steve Roth   Getting the Best Scan  . . . . . . . . . 40
                  Gary Shilling   Goodbye Jaggies  . . . . . . . . . . . . 44
                 Michael Kieran   Designer 3 Ups the Ante  . . . . . . . . 49
                  Chris Dickman   The Amiga Grows Up . . . . . . . . . . . 55
                    Steve Sauve   Music on the Atari . . . . . . . . . . . 58


Electronic Composition and Imaging
Volume 5, Number 3, May, 1991

                 G. Bingham and   
                     A. Stephen   Four Steps to a Better Scan  . . . . . . 20
              Chris Dickman and   
                     Dezso Nagy   Retrofitting PostScript  . . . . . . . . 26
                 David Bosworth   Trainers on Training . . . . . . . . . . 32
                   Margo Rowley   The Zen of Color . . . . . . . . . . . . 38
                     Peter Dako   Digital Darkroom 2.0 . . . . . . . . . . 42
                      Anonymous   The EC and I Annual Training Firm
                                  Directory  . . . . . . . . . . . . . . . 54

Electronic Composition and Imaging
Volume 5, Number 5, September, 1991

                   Margo Rowley   Planning for Volume Scanning . . . . . . 26
          Courtland Shakespeare   Creating an EC and I Cover . . . . . . . 30
              Chris Dickman and   
               Sherwood Fleming   Tales of Book Production . . . . . . . . 32


Electronic Composition and Imaging
Volume 6, Number ??, June, 1992

                 Michael Kieran   High Performance Imaging . . . . . . . . 6
                     David Dean   Multiplying Your Typographic
                                  Possibilities Adobe Systems' Multiple
                                  Master font format . . . . . . . . . . . 8
          Courtland Shakespeare   Color Shading  . . . . . . . . . . . . . 8
              Stephen Schettini   Battling File Formats Featuring the
                                  mysteries of WFN BOSS  . . . . . . . . . 12
                     Bob Weibel   Back to Basic  . . . . . . . . . . . . . 12
                  Steve Shubitz   The PostScript Dilemma . . . . . . . . . 14
             William Buckingham   Xtending Yourself  . . . . . . . . . . . 16
                  Steve Shubitz   Double Your Pleasure, Double Your Files
                                  Two hard disk management strategies  . . 18
                     David Dean   Font Comparisons . . . . . . . . . . . . 20
                     Peter Dako   Aldus Adds Up  . . . . . . . . . . . . . 22
                 Michael Kieran   EFI Stakes Out Color Portability A small
                                  company with colorful ambitions  . . . . 22
                 Michael Kieran   Software Plug-Ins  . . . . . . . . . . . 26
                      Anonymous   The EC and I Interview: Dr. Gerald Murch 28
                    Allen Haley   All Caps: A Typographic Oxymoron: Why
                                  you should never use all capital letters 28
              Maggie Lovaas and   
                   Felix Kramer   Some practical observations on backup    30
                    SCOTT Olson   The EC and I Interview: Two Opposing
                                  Views of Scanners  . . . . . . . . . . . 32
                     Peter Dako   Plenty of type, yours for the online
                                  asking . . . . . . . . . . . . . . . . . 34
                 Michael Kieran   Powerful image editing comes to Windows  36
                    Scott Olson   Paul Sych: a Type Designer at Work . . . 36
                    Scott Olson   Timing is Everything . . . . . . . . . . 38
                     PETER Dako   Cowboy in a Can  . . . . . . . . . . . . 42
                   Mark McGuire   Games are Serious Business . . . . . . . 42
                    Lee Sherman   Adobe Illustrator on the NeXT Computer   42
                   Steve Rimmer   Corel Returns Fire . . . . . . . . . . . 46
          Courtland Shakespeare   Re-creating From Other Sources Importing
                                  vector art reference materials . . . . . 49
              Stephen Schettini   Nightmare on Font Street . . . . . . . . 50
                      Anonymous   Special Feature: Coreldraw World Design
                                  Contest Winners  . . . . . . . . . . . . 52
                  Chris Dickman   The President and CEO of Storm
                                  Technology discusses file compression
                                  issues . . . . . . . . . . . . . . . . . 52
             Daniel Will-Harris   Good Things Come from Small Foundries    54
             Daniel Will-Harris   Zippity Do Data Alleviating the full
                                  hard disk blues  . . . . . . . . . . . . 54
                     Paul Chato   Spinning Into Oblivion Electrons dancing
                                  on your read-write heads . . . . . . . . 57
                     Peter Dako   Scan by Me . . . . . . . . . . . . . . . 58
                     Steve Roth   Fred's got the FAX . . . . . . . . . . . 78


Electronic Composition and Imaging
Volume 7, Number 1, January, 1993

                  Steve Shubitz   Nine is a Lucky Number: Applications for
                                  the PostScript Printer . . . . . . . . . 8
             Daniel Will-Harris   Creating a Corporate Identity  . . . . . 12
                     David Dean   A New Medium for PC Fonts: CD-ROM's Time
                                  has Come . . . . . . . . . . . . . . . . 14
                         EC and   
                        I Staff   The Fourth Annual EC and I Service
                                  Bureau Directory, Part I . . . . . . . . 20
                  Gary Shilling   The EC and I Interview: Paul Brainerd    38
              Stephen Schettini   File Import and Output Problems Solved   42
                     Steve Roth   Imaginary Media: Fred Says to Stop
                                  Chasing Rainbows . . . . . . . . . . . . 54

Electronic Composition and Imaging
Volume 7, Number 2, March, 1993

                      Anonymous   Do you know printing?  . . . . . . . . . 6
          Courtland Shakespeare   Use the Force, Luke  . . . . . . . . . . 8
                     David Dean   Who Needs Service Bureaus? . . . . . . . 12
                  Steve Shubitz   Xpress Yourself! . . . . . . . . . . . . 18
                   Steve Rimmer   CorelDraw and PostScript . . . . . . . . 22
                    Scott Olson   The Virtual Printer  . . . . . . . . . . 26
                      Anonymous   Paper Knowledge  . . . . . . . . . . . . 28
                      Anonymous   Finding new shoals after a smooth sail   30
             Daniel Will-Harris   Designers and Clients  . . . . . . . . . 32
              Stephen Schettini   Correcting the Error Messages  . . . . . 36
                      Anonymous   Productivity from front-end to back-end  42
                     Steve Roth   Debunking Kodak's Starry-eyed Vision for
                                  Photo CD . . . . . . . . . . . . . . . . 54

Electronic Composition and Imaging
Volume 7, Number 3, May, 1993

          Courtland Shakespeare   VR Gets Real . . . . . . . . . . . . . . 8
                  Steve Shubitz   Fast is Never Fast Enough  . . . . . . . 12
              Stephen Schettini   Service Bureaus: Windows is Here to Stay 16
                   JULIAN Mills   Survival of the Film House . . . . . . . 20
                Maureen Stewart   Digital Photography: What You Need to
                                  Know . . . . . . . . . . . . . . . . . . 24
                    Scott Olson   The EC and I Interview: Alec Couckuyt    30
                     David Dean   Windows Font Management  . . . . . . . . 32
             Daniel Will-Harris   Less Perfect Type  . . . . . . . . . . . 36
                     Steve Roth   Fred Looks to the Future . . . . . . . . 46

Electronic Composition and Imaging
Volume 7, Number 4, July, 1993

                      Anonymous   Out My Window---Why Color? . . . . . . . 6
          Courtland Shakespeare   The Electronic Look  . . . . . . . . . . 8
              Stephen Schettini   How to Work With High-Quality Color On
                                  the PC . . . . . . . . . . . . . . . . . 14
                     David Dean   Special Effects Font Software  . . . . . 16
                  Steve Shubitz   The Missing Link . . . . . . . . . . . . 18
                   Thad Mcilroy   Has Desktop Color Finally Caught the
                                  High End?  . . . . . . . . . . . . . . . 22
             Daniel Will-Harris   Bad Reviews, Lazy Users  . . . . . . . . 32
              Stephen Schettini   Seybold Boston 1993  . . . . . . . . . . 33
                      Anonymous   Welcome to Desktop --- Some triumphs and
                                  some tragedies . . . . . . . . . . . . . 36
                      Anonymous   New Toys --- The latest hardware and
                                  software . . . . . . . . . . . . . . . . 38
                     Steve Roth   Fred Goes Editorial  . . . . . . . . . . 46

Electronic Composition and Imaging
Volume 7, Number 5, September, 1993

                   John Stewart   Color Scanning: Why You Need to Know
                                  Densitometry . . . . . . . . . . . . . . 24
                    Scott Olson   A Strategy for Success . . . . . . . . . 26
              Stephen Schettini   Boost Your Performance . . . . . . . . . 30

Electronic Composition and Imaging
Volume 7, Number 6, November, 1993

                      Anonymous   Environmental Awareness  . . . . . . . . 6
                      Anonymous   The Top-Prize Winners: The Canadian
                                  Computer Graphics Association's Annual
                                  Computer Graphics Awards . . . . . . . . 10
          Courtland Shakespeare   Bridge to Boiler Room: There's still a
                                  lot of engineering below the decks of
                                  electronic creativity  . . . . . . . . . 12
                     David Dean   Sending It Out . . . . . . . . . . . . . 16
                      Anonymous   How we did it  . . . . . . . . . . . . . 18
              Stephen Schettini   Corel Coreldraw! 4.0: All the bugs,
                                  quirks, strengths and weakness of this
                                  major program upgrade  . . . . . . . . . 20
               Stephen Schettni   Corel Coreldraw! 4.0: All the bugs,
                                  quirks, strengths and weakness of this
                                  major program upgrade  . . . . . . . . . 20
                    Scott Olson   High-Speed, High-Volume Laser Printers:
                                  The Last Step. Don't forget this
                                  important output option  . . . . . . . . 24
                    David Rosen   Adobe Acrobat: The Next Step in Imaging:
                                  Acrobat, designed to share formatted
                                  pages over networks, telephone lines and
                                  between platforms, has been getting a
                                  lot of attention. But how does it work?
                                  How can users benefit? EC and I takes a
                                  close look . . . . . . . . . . . . . . . 28
                  Steve Shubitz   Type Tips and Tricks With the Big 6  . . 30
             Daniel Will-Harris   Digital Documents  . . . . . . . . . . . 34
                      Anonymous   What the ultimate graphics show season
                                  brought us . . . . . . . . . . . . . . . 44
                     Steve Roth   Features War . . . . . . . . . . . . . . 46