Last update: Tue Aug 12 07:44:55 MDT 2014
Volume 1, Fall, 1994Anonymous Big Caslon -- FF Chelsea -- Elroy -- Lucida Casual -- Twist -- Zombie . . . . 6--9 Anonymous Briefly Noted: Font CDs -- Quickdraw GX -- Multiple Masters for Windows -- Ed Cleary -- Treacyfaces and Headliners International -- American Typecasting Fellowship -- Emigre's Whirligig Catalog -- Santa Cruz Book Show . . . . . . . . 10--12 D. A. Hosek Centaur & Arrighi . . . . . . . . . . . . 13--15 William S. Peterson William Morris and his types . . . . . . 16--25 Dan Carr The weight of a serif, or, The influences of punchcutting on type design . . . . . . . . . . . . . . . . . 26--29 Robert Bringhurst On the classification of letterforms . . 30--39 Paul Solyn A fine italic hand . . . . . . . . . . . 40--45 Gunnar Swanson Clarety: Drinking from the crystal goblet . . . . . . . . . . . . . . . . . 45--45 Gerald Lange [T-26] and `design typography' . . . . . 46--48 Christian Schwartz The changing of the guard . . . . . . . 49--49 Gerald Lange Digital type foundry for typophiles: Carter & Cone Type Inc. . . . . . . . . . 50--56, 58 Charles Bigelow Thoughts on Century Schoolbook . . . . . 59--60 Stephen O. Saxe American type specimen books . . . . . . 61--63 D. A. Hosek Book reviews: \em Modern Typography, by Robin Kinross . . . . . . . . . . . . . 64--65 Jon Pastor Book reviews: \em Anatomy of a Typeface, by Alexander Lawson . . . . . . . . . . 65--66 William Ricker Book reviews: \em How Typography Works, by Fernand Baudin . . . . . . . . . . . 66--66 D. A. Hosek Endpapers . . . . . . . . . . . . . . . 68--68
Anonymous New faces: Monotype Bulmer -- Hairspray -- Handsome -- Schneidler Initials . . . 7--9 Anonymous Briefly Noted: The return of ATF -- ATypI '94 -- Recent publications -- Type on the information superhighway -- The death of the floppy? -- News from the Goudy International Center . . . . . . . 10--13 Robert Bringhurst Holding ideas in the hand: The physics & metaphysics of renaissance letterforms 15--24 Paul Hayden Duensing Metal type: Whither or wither? A look at the state of letterpress printing in 1994 . . . . . . . . . . . . . . . . . . 25--27 Alastair Johnston Two centuries of type & technology . . . 28--31 D. A. Hosek A Conversation with Carol Twombly . . . 32--40 Stephen O. Saxe More about type specimens . . . . . . . 42--44 Aaron Priven The times they are a-changing (Apologies to Mr. Zimmerman) . . . . . . . . . . . 45--45 Beatrice Beaujon In the beginning . . . . . . . . . . . . 46--51 D. A. Hosek Adobe Poetica . . . . . . . . . . . . . 52--53 Gerald Lange Galápagos Design Group: Too much fashion---not enough vision . . . . . . 54--57 D. A. Hosek Contemporary Type Specimen Books: \em M&H Type Catalogue . . . . . . . . . . . . . 58--59 D. A. Hosek Contemporary Type Specimen Books: \em American Metal Typefaces of the Twentieth Century, by Mac McGrew . . . . 59, 61 D. A. Hosek Contemporary Type Specimen Books: \em Adobe Type Specimen Books . . . . . . . 61--62 D. A. Hosek Contemporary Type Specimen Books: \em An Atlas of Typeforms, by James Sutton and Alan Bartram . . . . . . . . . . . . . . 62--63 D. A. Hosek Endpapers . . . . . . . . . . . . . . . 64--64
Anonymous New faces: Copal -- FF Instanter -- Magneto -- Neonstream -- Raceway -- Rocket . . . . . . . . . . . . . . . . . Anonymous Briefly Noted: Walter Tracy -- Toronto font party -- Subiaco revival -- Catalogs from Font Bureau and Precision Type -- Bitstream lawsuit -- Type on the information superhighway redux -- Carl Herzog award -- ATypI '95 -- FUSE '95 D. A. Hosek Which Caslon? . . . . . . . . . . . . . Robert Bringhurst Painting with ink & steel: The roman & italic types of the baroque age . . . . Robert Long David Kindersley: In love with letters Stephen Lubell On typographic style: A few thoughts on legibility, readability and typographic tradition . . . . . . . . . . . . . . . D. A. Hosek O: The fifteenth letter of the alphabet Bonnie Barrett Callifonts: Can a good font be made in two weeks? . . . . . . . . . . . . . . . Anonymous Technology . . . . . . . . . . . . . . . Anonymous Book reviews: \em Fleischmann on Punchcutting . . . . . . . . . . . . . . Anonymous Book reviews: \em Twentieth Century Type Designers . . . . . . . . . . . . . . . Anonymous Book reviews: \em Letters of Credit . .
Anonymous New faces: Aries FH --- Borek --- Civilité MJ --- Duckling --- Jecho Techo One --- Kalendar . . . . . . . . . . . . 8--11 Anonymous Briefly Noted: Typographic symposium and exposition --- FontHaus, A Monotype Company? --- The new x-height --- New Monotype CD --- ITC expansion --- Aldo Novarese -- Monotype University --- Typographic Circle debate --- ATypI '95 --- The return of the bitmap . . . . . . 12--15 D. A. Hosek Wessex: A look at a book face designed by Matthew Butterick . . . . . . . . . . 16--17 Robert Bringhurst The Invisible Hand Part One: Neoclassical Letterforms: An examination of the development of the neoclassical letterforms of such designers as Baskerville, Bell and Fournier . . . . . 19--29 Anonymous 1996 Typographic Design Competition: Information about entering the competition . . . . . . . . . . . . . . 30--31 Anonymous A Conversation with Carlos Segura: We discuss grunge typography, typographic collage, readability and originality with Carlos Segura . . . . . . . . . . . 32--40 Theo Rehak A Hitchhiker's Guide to Letterpress in the Twenty-first Century: An overview of methods for creating type for letterpress printing . . . . . . . . . . 42--45 Beatrice Beaujon Designing for Letter Paper: Dealing with the design challenges of the 8.5 by 11 sheet of paper . . . . . . . . . . . . . 46--51 Christian Schwartz House Industries: There Goes the Neighborhood: A look at a foundry producing grunge typography with a style of its own . . . . . . . . . . . . . . . 53--57 D. A. Hosek Technology: International Typefounders CD . . . . . . . . . . . . . . . . . . . 58--59 D. A. Hosek Book reviews: Finer Points in the Spacing & Arrangement of Type -- The Form of the Book: Essays on the Morality of Good Design -- The Art of Typography: An Introduction to Typo.icon.ography . . . 60--62 D. A. Hosek Endpapers . . . . . . . . . . . . . . . 64--64
Sean Wilmut and Lindsay Rollo Letters: Reader Comments; On Readability 4--4 Anonymous New Faces: Beata, Cresci, Donatello, Ghiberti, Pietra, Pontif, Simona . . . . 5--8 Clive Bruton and Rod McDonald Briefly Noted: ATypI Conference: 23--25 October 1998, Lyon France; TypeCon 98: 30 October--1 November 1998, Westborough, Massachusetts; Alphabets, Inc. Restructures; Adobe WebType; Microsoft OpenType Font Jamboree; 1997 ATypI Conference, University of Reading 9- Jorge Frascara Design Education from Lettering to Human Interaction . . . . . . . . . . . . . . 15--17 Allan Haley Cool Cash for Hot Fonts . . . . . . . . 19--22, 55 Jean-François Porchez Horizontalité . . . . . . . . . . . . . . 24--31 Hans-Jurg Hunziker The Typographic Work of Adrian Frutiger 32--43 Jeffery Keedy A Type of Change . . . . . . . . . . . . 44--48, 50--51, 55 Erik Van Blokland The Supermarket Theory . . . . . . . . . 52--55 D. A. Hosek Endpapers . . . . . . . . . . . . . . . 56--56