\relax \@writefile{toc}{\contentsline {chapter}{\numberline {1}What is MusicT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m \ ?}{4}} \@writefile{lof}{\addvspace {10\p@ }} \@writefile{lot}{\addvspace {10\p@ }} \@writefile{toc}{\contentsline {section}{\numberline {1.1}MusicT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m \ principal features}{4}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.1.1}Music typesetting is two-dimensional}{4}} \@writefile{lot}{\contentsline {table}{\numberline {1.1}{\ignorespaces The order in which a musician reads music}}{5}} \newlabel{readtable}{{1.1}{5}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.1.2}The spacing of the notes}{5}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.1.3}Music tokens, rather than a readymade generator}{6}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.1.4}Beams}{7}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.1.5}Setting anything on the score}{7}} \@writefile{toc}{\contentsline {section}{\numberline {1.2}A simple example}{7}} \@writefile{toc}{\contentsline {section}{\numberline {1.3}Some highlights}{8}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.3.1}Signatures}{8}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.3.2}Transposition}{8}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.3.3}Selecting special instrument scores}{8}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.3.4}Variable staff and note sizes}{8}} \@writefile{toc}{\contentsline {section}{\numberline {1.4}How to get it}{9}} \@writefile{toc}{\contentsline {section}{\numberline {1.5}Enhancements}{9}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.5.1}Recent easy enhancements}{9}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.5.2}The tie/slur problem}{9}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.5.3}MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{10}} \@writefile{toc}{\contentsline {subsection}{\numberline {1.5.4}Enhancement limitations}{10}} \@writefile{toc}{\contentsline {section}{\numberline {1.6}Acknowledgements}{10}} \@writefile{toc}{\contentsline {chapter}{\numberline {2}Practical use}{11}} \@writefile{lof}{\addvspace {10\p@ }} \@writefile{lot}{\addvspace {10\p@ }} \@writefile{toc}{\contentsline {section}{\numberline {2.1}Heading statements}{11}} \@writefile{toc}{\contentsline {section}{\numberline {2.2}Before you begin to write notes}{11}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.2.1}Instrument names}{13}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.2.2}Polyphonic songs}{13}} \@writefile{toc}{\contentsline {section}{\numberline {2.3}Starting your masterpiece}{13}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.3.1}Typing the first system}{13}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.3.2}Easy selecting note spacing}{13}} \@writefile{toc}{\contentsline {section}{\numberline {2.4}Note pitch specification}{14}} \@writefile{toc}{\contentsline {section}{\numberline {2.5}Writing notes}{14}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.1}Single (spacing) notes}{15}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.2}Non-spacing (chord) notes}{15}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.3}Shifted non-spacing (chord) heads}{16}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.4}Shifted notes}{16}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.5}Non-spacing single notes}{16}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.6}Single (spacing) stemless notes}{17}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.5.7}Pointed notes}{17}} \@writefile{toc}{\contentsline {section}{\numberline {2.6}Beams}{17}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.6.1}Fixed slope beams}{18}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.6.2}Repeated pattern beams}{20}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.6.3}Semi-automatic beams}{20}} \@writefile{toc}{\contentsline {section}{\numberline {2.7}Rests}{21}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.7.1}ordinary rests}{21}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.7.2}Lifted rests}{21}} \@writefile{toc}{\contentsline {section}{\numberline {2.8}Phantom notes}{21}} \@writefile{toc}{\contentsline {section}{\numberline {2.9}Collective coding: sequences of notes}{22}} \@writefile{toc}{\contentsline {section}{\numberline {2.10}Accidentals}{22}} \@writefile{toc}{\contentsline {section}{\numberline {2.11}Transposition and octaviation}{23}} \@writefile{toc}{\contentsline {section}{\numberline {2.12}Ties and slurs}{25}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.12.1}Standard and nicer slurs}{25}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.12.2}Problem with large slur ends}{26}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.12.3}Weird slurs and ties}{26}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.12.4}Refined slurs for clever typesetters}{26}} \@writefile{toc}{\contentsline {section}{\numberline {2.13}Bars}{27}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.13.1}Bars and spacing}{27}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.13.2}Bar numbering}{27}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.13.3}Full and instrument divided bars}{28}} \@writefile{toc}{\contentsline {section}{\numberline {2.14}Line and page breaking}{28}} \newlabel{linepagebreak}{{2.14}{28}} \@writefile{toc}{\contentsline {section}{\numberline {2.15}Changing score attributes}{29}} \@writefile{toc}{\contentsline {section}{\numberline {2.16}Repeats}{31}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.16.1}Elementary and unsafe solutions}{31}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.16.2}Safe and correct coding}{32}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.16.3}Specific first and second pass scoring}{32}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.16.4}Large scope repeats}{33}} \@writefile{toc}{\contentsline {section}{\numberline {2.17}Miscellaneous}{33}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.17.1}Putting anything anywhere}{33}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.17.2}Metronomic indications}{34}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.17.3}Usual ornaments}{34}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.17.4}New line synchronization of coding}{35}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.17.5}Beams across bars}{36}} \@writefile{toc}{\contentsline {section}{\numberline {2.18}Small and tiny notes}{37}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.18.1}Cadenzas and explicit ornaments}{37}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.18.2}Grace notes}{39}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.18.3}Gregorian note shapes}{39}} \newlabel{gregnotes}{{2.18.3}{39}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.18.4}Percussion stemless note shapes}{40}} \newlabel{percunotes}{{2.18.4}{40}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.18.5}Other note shapes}{40}} \newlabel{othernotes}{{2.18.5}{40}} \@writefile{toc}{\contentsline {section}{\numberline {2.19}Staff size}{41}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.19.1}Moving from 20pt to 16pt general staff sizes and conversely}{41}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.19.2}Changing staff size for certain instruments}{41}} \newlabel{staffspace}{{2.19.2}{41}} \newlabel{avemaria}{{2.19.2}{41}} \@writefile{toc}{\contentsline {section}{\numberline {2.20}Layout parameters}{42}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.1}List of layout parameters}{42}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.2}Changing layout parameters}{44}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.3}Changing the vertical distance between consecutive systems}{45}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.4}Changing staff distance within systems}{45}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.5}Changing the number of lines in staffs}{45}} \newlabel{gregorian}{{2.20.5}{45}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.6}Resetting normal layout parameters}{46}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.7}Typesetting one-line excerpts rather than larges scores}{46}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.20.8}Lyrics}{46}} \@writefile{toc}{\contentsline {section}{\numberline {2.21}Other special ornaments}{47}} \@writefile{toc}{\contentsline {section}{\numberline {2.22}The {\tt musicsty} macros}{47}} \newlabel{musicsty}{{2.22}{47}} \@writefile{toc}{\contentsline {section}{\numberline {2.23}Abnormal music coding}{49}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.23.1}Gregorian chant}{49}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.23.2}Music score without clefs or with special clefs}{49}} \newlabel{abnormalscores}{{2.23.2}{50}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.23.3}Usual percussion music}{51}} \newlabel{genpercus}{{2.23.3}{51}} \@writefile{toc}{\contentsline {section}{\numberline {2.24}Writing your own macros: the {\fontshape n\selectfont \fontseries m\selectfont \tt \char '134catcode} problems}{52}} \@writefile{toc}{\contentsline {section}{\numberline {2.25}MusiclaT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{52}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.25.1}The {\tt musictex.sty} style}{52}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.25.2}Wide music in \LaTeX }{53}} \@writefile{toc}{\contentsline {subsection}{\numberline {2.25.3}The {\fontshape n\selectfont \fontseries m\selectfont \tt \char '134catcode} problems}{53}} \@writefile{toc}{\contentsline {section}{\numberline {2.26}Implementation and restrictions}{53}} \@writefile{toc}{\contentsline {chapter}{\numberline {3}Installation}{55}} \@writefile{lof}{\addvspace {10\p@ }} \@writefile{lot}{\addvspace {10\p@ }} \@writefile{toc}{\contentsline {section}{\numberline {3.1}Getting the stuff}{55}} \@writefile{toc}{\contentsline {section}{\numberline {3.2}Installing the fonts}{55}} \@writefile{toc}{\contentsline {section}{\numberline {3.3}Building a format}{56}} \newlabel{formatbuild}{{3.3}{56}} \@writefile{toc}{\contentsline {subsection}{\numberline {3.3.1}Starting from nil}{56}} \@writefile{toc}{\contentsline {subsection}{\numberline {3.3.2}Starting from your usual plain format}{57}} \@writefile{toc}{\contentsline {chapter}{\numberline {4}Index}{58}} \@writefile{lof}{\addvspace {10\p@ }} \@writefile{lot}{\addvspace {10\p@ }} \@writefile{toc}{\contentsline {chapter}{\numberline {5}Examples}{65}} \@writefile{lof}{\addvspace {10\p@ }} \@writefile{lot}{\addvspace {10\p@ }} \@writefile{toc}{\contentsline {chapter}{\numberline {6}Summary of denotations}{67}} \@writefile{lof}{\addvspace {10\p@ }} \@writefile{lot}{\addvspace {10\p@ }} \@writefile{toc}{\contentsline {section}{\numberline {6.1}Pitches}{67}} \@writefile{toc}{\contentsline {section}{\numberline {6.2}Notes and Rests}{67}} \@writefile{toc}{\contentsline {section}{\numberline {6.3}Other symbols}{68}}