Last update:
Tue Aug 12 07:44:55 MDT 2014
Anonymous Big Caslon -- FF Chelsea -- Elroy --
Lucida Casual -- Twist -- Zombie . . . . 6--9
Anonymous Briefly Noted: Font CDs -- Quickdraw GX
-- Multiple Masters for Windows -- Ed
Cleary -- Treacyfaces and Headliners
International -- American Typecasting
Fellowship -- Emigre's Whirligig Catalog
-- Santa Cruz Book Show . . . . . . . . 10--12
D. A. Hosek Centaur & Arrighi . . . . . . . . . . . . 13--15
William S. Peterson William Morris and his types . . . . . . 16--25
Dan Carr The weight of a serif, or, The
influences of punchcutting on type
design . . . . . . . . . . . . . . . . . 26--29
Robert Bringhurst On the classification of letterforms . . 30--39
Paul Solyn A fine italic hand . . . . . . . . . . . 40--45
Gunnar Swanson Clarety: Drinking from the crystal
goblet . . . . . . . . . . . . . . . . . 45--45
Gerald Lange [T-26] and `design typography' . . . . . 46--48
Christian Schwartz The changing of the guard . . . . . . . 49--49
Gerald Lange Digital type foundry for typophiles:
Carter & Cone Type Inc. . . . . . . . . . 50--56, 58
Charles Bigelow Thoughts on Century Schoolbook . . . . . 59--60
Stephen O. Saxe American type specimen books . . . . . . 61--63
D. A. Hosek Book reviews: \em Modern Typography, by
Robin Kinross . . . . . . . . . . . . . 64--65
Jon Pastor Book reviews: \em Anatomy of a Typeface,
by Alexander Lawson . . . . . . . . . . 65--66
William Ricker Book reviews: \em How Typography Works,
by Fernand Baudin . . . . . . . . . . . 66--66
D. A. Hosek Endpapers . . . . . . . . . . . . . . . 68--68
Anonymous New faces: Monotype Bulmer -- Hairspray
-- Handsome -- Schneidler Initials . . . 7--9
Anonymous Briefly Noted: The return of ATF --
ATypI '94 -- Recent publications -- Type
on the information superhighway -- The
death of the floppy? -- News from the
Goudy International Center . . . . . . . 10--13
Robert Bringhurst Holding ideas in the hand: The physics &
metaphysics of renaissance letterforms 15--24
Paul Hayden Duensing Metal type: Whither or wither? A look at
the state of letterpress printing in
1994 . . . . . . . . . . . . . . . . . . 25--27
Alastair Johnston Two centuries of type & technology . . . 28--31
D. A. Hosek A Conversation with Carol Twombly . . . 32--40
Stephen O. Saxe More about type specimens . . . . . . . 42--44
Aaron Priven The times they are a-changing (Apologies
to Mr. Zimmerman) . . . . . . . . . . . 45--45
Beatrice Beaujon In the beginning . . . . . . . . . . . . 46--51
D. A. Hosek Adobe Poetica . . . . . . . . . . . . . 52--53
Gerald Lange Galápagos Design Group: Too much
fashion---not enough vision . . . . . . 54--57
D. A. Hosek Contemporary Type Specimen Books: \em M&H
Type Catalogue . . . . . . . . . . . . . 58--59
D. A. Hosek Contemporary Type Specimen Books: \em
American Metal Typefaces of the
Twentieth Century, by Mac McGrew . . . . 59, 61
D. A. Hosek Contemporary Type Specimen Books: \em
Adobe Type Specimen Books . . . . . . . 61--62
D. A. Hosek Contemporary Type Specimen Books: \em An
Atlas of Typeforms, by James Sutton and
Alan Bartram . . . . . . . . . . . . . . 62--63
D. A. Hosek Endpapers . . . . . . . . . . . . . . . 64--64
Anonymous New faces: Copal -- FF Instanter --
Magneto -- Neonstream -- Raceway --
Rocket . . . . . . . . . . . . . . . . .
Anonymous Briefly Noted: Walter Tracy -- Toronto
font party -- Subiaco revival --
Catalogs from Font Bureau and Precision
Type -- Bitstream lawsuit -- Type on the
information superhighway redux -- Carl
Herzog award -- ATypI '95 -- FUSE '95
D. A. Hosek Which Caslon? . . . . . . . . . . . . .
Robert Bringhurst Painting with ink & steel: The roman &
italic types of the baroque age . . . .
Robert Long David Kindersley: In love with letters
Stephen Lubell On typographic style: A few thoughts on
legibility, readability and typographic
tradition . . . . . . . . . . . . . . .
D. A. Hosek O: The fifteenth letter of the alphabet
Bonnie Barrett Callifonts: Can a good font be made in
two weeks? . . . . . . . . . . . . . . .
Anonymous Technology . . . . . . . . . . . . . . .
Anonymous Book reviews: \em Fleischmann on
Punchcutting . . . . . . . . . . . . . .
Anonymous Book reviews: \em Twentieth Century Type
Designers . . . . . . . . . . . . . . .
Anonymous Book reviews: \em Letters of Credit . .
Anonymous New faces: Aries FH --- Borek ---
Civilité MJ --- Duckling --- Jecho Techo
One --- Kalendar . . . . . . . . . . . . 8--11
Anonymous Briefly Noted: Typographic symposium and
exposition --- FontHaus, A Monotype
Company? --- The new x-height --- New
Monotype CD --- ITC expansion --- Aldo
Novarese -- Monotype University ---
Typographic Circle debate --- ATypI '95
--- The return of the bitmap . . . . . . 12--15
D. A. Hosek Wessex: A look at a book face designed
by Matthew Butterick . . . . . . . . . . 16--17
Robert Bringhurst The Invisible Hand Part One:
Neoclassical Letterforms: An examination
of the development of the neoclassical
letterforms of such designers as
Baskerville, Bell and Fournier . . . . . 19--29
Anonymous 1996 Typographic Design Competition:
Information about entering the
competition . . . . . . . . . . . . . . 30--31
Anonymous A Conversation with Carlos Segura: We
discuss grunge typography, typographic
collage, readability and originality
with Carlos Segura . . . . . . . . . . . 32--40
Theo Rehak A Hitchhiker's Guide to Letterpress in
the Twenty-first Century: An overview of
methods for creating type for
letterpress printing . . . . . . . . . . 42--45
Beatrice Beaujon Designing for Letter Paper: Dealing with
the design challenges of the 8.5 by 11
sheet of paper . . . . . . . . . . . . . 46--51
Christian Schwartz House Industries: There Goes the
Neighborhood: A look at a foundry
producing grunge typography with a style
of its own . . . . . . . . . . . . . . . 53--57
D. A. Hosek Technology: International Typefounders
CD . . . . . . . . . . . . . . . . . . . 58--59
D. A. Hosek Book reviews: Finer Points in the
Spacing & Arrangement of Type -- The Form
of the Book: Essays on the Morality of
Good Design -- The Art of Typography: An
Introduction to Typo.icon.ography . . . 60--62
D. A. Hosek Endpapers . . . . . . . . . . . . . . . 64--64
Sean Wilmut and
Lindsay Rollo Letters: Reader Comments; On Readability 4--4
Anonymous New Faces: Beata, Cresci, Donatello,
Ghiberti, Pietra, Pontif, Simona . . . . 5--8
Clive Bruton and
Rod McDonald Briefly Noted: ATypI Conference: 23--25
October 1998, Lyon France; TypeCon 98:
30 October--1 November 1998,
Westborough, Massachusetts; Alphabets,
Inc. Restructures; Adobe WebType;
Microsoft OpenType Font Jamboree; 1997
ATypI Conference, University of Reading 9-
Jorge Frascara Design Education from Lettering to Human
Interaction . . . . . . . . . . . . . . 15--17
Allan Haley Cool Cash for Hot Fonts . . . . . . . . 19--22, 55
Jean-François Porchez Horizontalité . . . . . . . . . . . . . . 24--31
Hans-Jurg Hunziker The Typographic Work of Adrian Frutiger 32--43
Jeffery Keedy A Type of Change . . . . . . . . . . . . 44--48, 50--51, 55
Erik Van Blokland The Supermarket Theory . . . . . . . . . 52--55
D. A. Hosek Endpapers . . . . . . . . . . . . . . . 56--56