Entry Andre:EPODD-6-3-115 from epodd.bib
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BibTeX entry
@Article{Andre:EPODD-6-3-115,
author = "Jacques Andr{\'e} and Jakob Gonczarowski and Richard
Southall",
title = "Editorial: Special issue: {Proceedings of the Raster
Imaging and Digital Typography Conference}",
journal = j-EPODD,
volume = "6",
number = "3",
pages = "115--116",
month = sep,
year = "1993",
CODEN = "EPODEU",
ISSN = "0894-3982",
bibdate = "Thu Jun 2 10:04:26 1994",
bibsource = "http://www.math.utah.edu/pub/tex/bib/epodd.bib",
abstract = "This issue of {\em Electronic Publishing\/} contains
the papers presented during the third Raster Imaging
and Digital Typography conference, held at Darmstadt,
Germany, from 11 to 13 April 1994. Earlier conferences
in the series took place in 1989 at Lausanne,
Switzerland (organized by Roger D. Hersch, EPFL) and in
1991 at Boston, Massachussets (organized by Robert A.
Morris, University of Massachussets at Boston). The
corresponding proceedings are published by Cambridge
University Press (see below). Digital typography is a
relatively new field: the first commercial
cathode-ray-tube photo\-composing machine appeared in
1966. Since that time, the field has been growing very
fast, and is still active. During the RIDT'89
conference, emphasis was laid on the rasterisation of
outline characters and on rendering techniques. RIDT'91
concentrated more on digital halftoning and on
greyscale characters. However, both of these
conferences bore in mind that beyond the mathematics of
shapes and their rendering, printing types exist with
their own aesthetic rules. That is why the
presentations were made by a mix of technologists,
scientists and designers. The RIDT'94 programme
committee tried to attract a similar mix of papers when
this conference was launched. As expected, the fields
have moved on since the last conference, but we hope
that the selected papers adequately exhibit the present
state of the art in raster imaging and digital
typography. In the recent past, formal research in
digital typography has dealt with graphical algorithms,
such as the rendering of outline characters and the
generation of outline characters from bit-mapped
drawings, to name but two. Present research focuses on
models and methods for concise but precise font
description and modelling. That trend began in industry
with font interpolation programs and font systems such
as Adobe Systems' Multiple Master technology. This
research definitively belongs to computer science, with
keywords such as {\em object orientation}, {\em regular
expressions}, {\em string matching\/} and {\em shape
parameterization}. A look at related fields, such as
computer-aided design, shows that there still remains
plenty of mathematical research to be done in digital
typography. Mathematics is already used in CAD to
express aesthetic criteria, both at the local
(individual curves/surfaces) and the global level, for
ensuring overall appearance and design consistency.
\ldots{}.",
}
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6(3)117,
6(4)469,
7(3)117
- there,
1(1)45,
4(3)151,
5(2)73,
6(3)171,
7(1)35,
7(4)197
- time,
1(1)55,
4(4)205,
6(2)67,
6(3)241,
6(3)283,
6(4)397,
7(4)231
- trend,
6(2)67
- two,
0(0)13,
1(1)19,
1(1)45,
2(3)119,
3(2)99,
3(2)105,
3(4)179,
4(4)219,
5(2)63,
5(2)79,
5(3)105,
5(4)163,
6(1)23,
6(2)93,
6(3)171,
6(3)231,
6(4)327,
7(2)89,
7(4)217
- type,
2(1)47,
2(4)231,
3(1)3,
3(2)93,
3(3)155,
4(1)27,
4(3)125,
4(4)219,
5(2)63,
6(1)3,
6(1)35,
6(2)93,
6(3)219,
6(3)231,
6(3)289,
6(4)361,
6(4)373,
6(4)413,
6(4)423,
6(4)469,
7(1)35,
7(4)217
- typography,
1(1)55,
5(1)49,
5(2)63,
5(2)79,
6(3)183,
6(3)261,
6(4)313,
7(4)231,
7(4)251,
8(2)49
- University,
6(4)481
- used,
1(1)3,
2(1)3,
2(3)119,
2(3)169,
2(4)179,
2(4)211,
2(4)231,
3(3)141,
3(3)155,
4(3)125,
4(4)185,
5(1)19,
5(2)63,
5(3)105,
6(1)35,
6(2)67,
6(3)145,
6(3)231,
6(3)241,
6(3)261,
6(3)273,
6(4)315,
6(4)413,
6(4)435,
6(4)447,
6(4)457,
6(4)481,
7(4)217,
7(4)251
- very,
3(2)105,
3(3)141,
4(4)205,
5(2)79,
6(1)3,
6(2)67,
7(4)251
- was,
1(1)55,
2(1)25,
2(3)119,
3(1)29,
3(2)65,
3(4)179,
3(4)227,
4(4)205,
5(4)163,
6(2)93,
6(3)241,
6(4)457,
7(1)21
- were,
1(1)3,
1(1)19,
1(1)55,
2(4)193,
4(4)185,
6(3)241
- when,
3(2)99,
3(3)125,
4(1)43,
4(2)87,
4(4)185,
4(4)205,
4(4)219,
5(4)163,
6(2)67,
6(3)241,
6(3)273,
6(4)397,
7(4)217
- why,
2(1)3,
3(1)29,
7(3)163